
Shape the source first
The complete three-band DJ isolator gives you immediate low, mid, and high control before the performance effects enter the signal path.
A focused creative-effects workstation for DJs, remixers, and producers. Shape the source, build space and rhythm, then perform transitions from one compact interface instead of stacking a long chain of unrelated plug-ins.
The layout follows the way DJs actually build an effect: shape the source, add character, then perform the transition.
Use the three-band isolator plus independent low-cut and high-cut filtering to make room before the effect arrives.
Add tempo-aware delay, vintage-style reverb, and rhythmic CHOP movement without leaving the main interface.
Use BPM movement, reverse, ping-pong, stereo motion, and the XY pad to turn settings into a playable transition.
Every stage has a deliberate position. Audio moves from tonal preparation into rhythmic performance, then through echoes and ambience so your movement carries naturally into the tail.
Inspired by the immediate, hands-on workflow of leading live-DJ effects hardware used in clubs and on major-event stages worldwide—rebuilt as one focused plug-in for your DAW.
Raise tension with filter sweeps, rhythmic movement, delay feedback, and controlled release into the next section.
Turn sustained audio into tempo-locked or free-rate pulses, gates, rolls, and stereo rhythmic gestures.
Add width, ambience, character, repeats, and motion to sounds that feel static or lifeless in the arrangement.
Connect sections with high-cut and low-cut sweeps, reverb tails, ping-pong echoes, reverse movement, and XY gestures.
Loading Mashup EFX should not change the level, tone, or stereo image. Every processing section begins neutral, dry, or off.
The plug-in becomes part of the performance only when you choose it. That makes it safe to leave loaded on a DJ-edit or transition bus and bring individual modules into the sound as the arrangement develops.
The compact panel keeps every important control visible while preserving a clear path from the isolator and filters to ambience, rhythmic movement, and the final XY performance area.
Independent low, mid, and high controls for full-band shaping and transition-ready tonal movement.
Two dedicated cutoff controls with shared resonance—faster and clearer than hiding both modes behind one switch.
Synced and free timing, feedback, tone, mix, clean or character response, and optional ping-pong motion.
Size, decay, mix, space type, and character controls designed for throws, breakdowns, and transition tails.
Depth, speed, mix, waveform, free or synchronized timing, and stereo movement for rhythmic gates and pulses.
Rise, reverse, roll, time, and pitch gestures turn the bottom panel into a hands-on performance surface.
Mashup EFX is more than a set of presets. Stack and balance its modules into a personal performance chain: isolate the source, sweep the filter, add delay or space, introduce CHOP movement, then play the result from the XY surface.
Low-cut + delay + reverb tail for a clean lift out of one record and into the next.
CHOP + filter resonance + XY roll to create rhythmic tension before the drop.
Isolator + character delay + stereo space to give a flat source a signature sound and movement.
No repeated filler images: open the real menu system, inspect the closed 3D controls, see the XY pad actively performing, and examine every module as a complete hardware-style unit.
Open menu systemEach close-up shows the entire section instead of cropping the controls that make it useful.

The complete three-band DJ isolator gives you immediate low, mid, and high control before the performance effects enter the signal path.

Dedicated sweeps and shared resonance make it fast to remove weight, soften brightness, build tension, and restore the full spectrum at the release.

Tempo sync and free timing, feedback, tone, mix, character, and ping-pong movement give you the depth normally spread across several specialist delay tools.

The complete reverb section keeps size, decay, mix, space, and character together for breakdowns, throws, and transition tails.

Control depth, speed, mix, waveform, stereo motion, and free or synchronized rate to rebuild a groove into pulses, gates, and stutter effects.

The illuminated crosshair and gesture trail make the performance visible while roll, time, pitch, and hold behavior reshape the sound in real time.
Mashup EFX is designed to keep control response immediate, so filter sweeps, stutters, rolls, and XY gestures follow the performance instead of feeling detached from it. Its focused modules share one interface and signal path, reducing the need to load and manage a long chain of separate effects.
That efficient approach helps keep processing overhead modest for live sets, DJ-edit sessions, and larger projects. Exact latency and processor use can vary by DAW, buffer size, sample rate, computer, and active modules, so measured specifications will be published after final release testing.
Automatable Mashup EFX parameters can be mapped through supported DAWs to MIDI knobs, faders, encoders, and pads. Put filter sweeps on a rotary control, CHOP depth on a fader, delay feedback on a knob, or performance gestures on the hardware layout that feels natural to you.
The interface is organized like a dedicated performance unit, while every state remains recallable inside your DAW session.
The signal flow is visible at a glance, the controls stay large enough for quick movement, and related choices live directly under their module. The result feels like one instrument—not six unrelated effects sharing a window.
Resizable interface and session recall keep that workflow consistent across studio production, DJ edits, and live-performance preparation.
Four purposeful views replace the repeated artwork: menu operation, tactile controls, active XY performance, and the complete module bank.




Short walkthroughs will cover the signal path, transition design, delay and reverb throws, CHOP rhythms, and XY gestures.

Shape the source. Build the movement. Play the effect.